Tuesday, August 5, 2014

First step- "Point of sword" knife

I am a reader, not a writer, so the process of constructing these posts takes far too long. There is too much stuff bouncing around in my head, and it needs to get out! To that end, I am trying to increase my writing out put, but that will be at the expense of what negligible quality that there is. As if my photos aren't bad enough....... This might turn into a sort of "stream of consciousness" kind of horror show.




I bought a Japanese plane, a hiburka-ganna. This was a while ago.....

http://dougukan.jp/contents-en/index.php?id=233

This is one of those few tools that, if you don't have one..... Get one. How often does a groove need just the tiniest bit of trimming, to get the proper fit? This will do it like nothing else.

The problem with my plane was that the iron was too loose of a fit and seemed to protrude too far from the sole.... So what is the proper way to adjust one of these guys? I couldn't find the info in English. I couldn't find the info in Japanese, either, which leads me to another thing......


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I don't read or speak Japanese. I use Google chrome and it's automatic translation function. It's far from perfect, but it helps. Almost every bit of what I know has been inferred from trying to decipher the translated info, and from watching whatever video I can find. There are quite a few Japanese documentaries about traditional crafts, so YouTube is a great help.

Lots of the Japanese guys know as little about their tools as we westerners do. Any information is a help. Hopefully we don't get it too far from correct!

I couldn't find any first hand info. I suspect that it's one of those "Just make it work" things, and that's what I did. But it would be nice if there was more info.

I began writing this blog, mostly to get some new information out there, but also just to help me remember what I was doing at a given point in time. My mind (and enthusiasms) jump from one topic to another with alarming frequency, so the subject matter will change over time, probably. One of the more useful services that I can provide, is to document my mistakes. Too many people only print the good stuff. That makes it hard to learn. Mistakes can be as informational as a success!

I AM NOT A "PRO "! I am an enthusiastic amateur! I am figuring this out as I go, and with alarming frequency, I am finding MY images and information popping up in Google search results. What was I expecting?!! Frankly, I find that awfully troubling. Still, more information is always a good thing. That I do believe!

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Japanese tools are leading me to into blacksmithing. My first real project is a " Point of a sword " knife. Here are some real examples.....

http://www2.odn.ne.jp/mandaraya/daikudouguno-kensaki.html

Kiyohisa!
Chohiro, I think....I like this one best

It looks like a very large, double edged marking/scribing knife, but is actually used for trimming and fitting joinery. Pretty cool, but kind of rare. I think that it's a good first project for me. No way in hell am I gonna make a plane blade!

Yesterday I hammered out the blank.



The edge steel is Nicholson O-F, slightly misaligned. The urasuki back hollow is roughly forged.


I took the remaining section of file steel, ground it to a gentle arc, then quenched for full hardness. This will be my ghetto style "Sen" (a type of scraper), for carving the hollow to a more refined shape.


FYI, there is baling wire under the tape....



I drew an outline of the desire shape, then got to work. The hard steel hasn't been hardened yet, so it can be scraped using normal means. Once it's been quenched, though....... TS!


This is also my first foray into sen land. More learning is needed. The cutter has a tendency to gall the metal. A little bit could be seen as evidence of the makers hand, but this tool will have enough of that as it is. The ura is VERY important!


It needs more work. I found that initially grinding the hollow using a bench grinder is nerve wracking, but established a good groove pattern, a base to begin the hand work portion. An evenly textured surface made it less difficult to "start" the sen.



The tricky part, for me, will be to guess the amount of curvature that the quench will cause. The tool will bend towards the hard steel side, so I need to induce with a slight reverse curve, in hopes that after quenching, the blade will be straight/flat. I should've tested, but all of this is good practice.

In between, I'm still filing. This is this morning, at start.



After thinking about this last night, I have decided to work on the urasuki more. It can be better. I will make a new sen.



There is curve, it's not just camera lens distortion.





A problem. I have high standards, but low personal expectations. I fully expect to horribly botch these early attempts, but have been getting lucky, which presents it's own concerns.

If too much time is spent trying to achieve perfection, less gets accomplished. This can be detrimental to the whole. I could make ten of these tools this week, but is that better than making one good one? I would choose the one.... If it was good. This is close to being decent, but will not be perfect..... How good is good enough?





Monday, August 4, 2014

Forge welding file steel........ and some good cheap files







I've been working, learning to forge weld with the intent of making some laminated blades. For me, one of the biggest attractions of the Japanese tools is the blades. Ultra-high carbon steel, laminated to a backing of soft iron........It's not a JUST a Japanese tool thing. Laminated blades work soooooo well!

Big, thick plane blades contribute mass, making the actual cutting edge of a blade more stable. This helps to  reduce edge flexation (is that a word?), which can causes a blade to chatter when planing. Thick blades make for a broad bevel surface, which increases stability when hand sharpening. Very thin ultra-high carbon steel can be heat treated to an incredible hardness, but by itself is useless. Pair the thin cutting steel to a thick soft backing, and you get a tool that gets incredibly sharp, but is still (relatively) easy to sharpen. And, Laminated blades LOOK cool! Mono-steel edges seem so bland, for lack of a better word.

I am a firm believer in copying from those who know better, so I am learning how to stick high carbon steel to low carbon iron. No wrought iron yet, but hopefully soon. My source for high carbon steel is the perennial favorite of the backyard bladesmith, old files.....sometimes referred to as type O-F steel (Old File, get it?).

The true composition of the steel used to make files is generally guessed at being 1095, a simple carbon steel with around 0.95% carbon content. 0.95% carbon is pretty high and will make for a very hard edge, exactly what you want for a file, right? It gets more interesting.

I have found some references that Nicholson (a large American manufacturer) may have used a higher carbon, special steel of 1.22% carbon. This steel is also use to make very hard taps and dies, and other high performing tooling. So a file might be made from 1095, or possibly 1.22% special steel.... What other options are there?

That was back in the day.  Today, a file can be made from any number of alloys, especially now that manufacturers are outsourcing to international suppliers. The new Nicholson files (made in mexico) have been developing a bad reputation for being soft and wearing out quickly. So, something has changed, some standard has been relaxed to maximize profit. Poor quality control? Cheaper materials? Focus group determines that rust resistance is more important to consumers than ultimate hardness? Products can change, practically overnight.



I have a super cheap set of small detail files that I bought from Walmart a couple of years ago. I think that I paid about $6.



These files have been used hard and, frankly, put my old american made files to shame. These are incredible! I bought one set, and liked then so much that I went back to buy another. A few months later, I tried to buy a set to give to a friend but, to my great dismay, they were gone. Not out of stock, just gone. I still have a hard time getting used to the transitory reality of the global marketplace. Another few months passed.....back on the shelf. The second batch was as good as the first, I just hope that they stay that way.

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I forgot to add..... Although I have broken two of these files, I haven't worn out ANY of them, and they see a lot of use! These are every bit as durable as my old swiss Grobet needle files, and maybe better. Certainly cheaper, and easier to source. These will make some great carving tools, maybe this winter.
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These are a generic Chinese offering. There is no brand identification of quality, no intent to build customer loyalty. These are made to be inexpensive. Walmart sells other files, too. Those new (bad) Nicholson files? Here is where they are found. Brand loyalty has turned into a sad joke. It's our own fault. It's my fault for buying based on price.

Years ago (before globalization) you could go to a store and maybe have one choice to make. Buy "the best", or buy the cheaper "good enough" brand. Often a manufacturer would open a second line of tools, maybe more expensive, under a different name and targeted to a different demographic. Think Chevy and Cadillac.

Money is hard to get so, generally, we buy the least expensive option. The "cheap" manufacturer sells more tools, is more profitable, and soon buys the smaller "better" company. Now,  the "better" company has brand value and a loyal customer base, but they need to make more money...... You can see where this leads.

Now, you go to the store, say Walmart again, to buy a drill. There are six different brands. The price spread is fully represented, from cheap to expensive, but none of the offerings are really any good. All of these brands are owned by Stanley/Black and Decker, but sold in different packaging essentially. This is survival of the fittest. Twenty different options, none of them good. Home depot is no different. I shop there, too.

Wandering...... sorry.



My cheap China files are great. These (also generic China) files, on the other hand, are total crap.


I bought these at a different store, $4 each. I suspect that they are case hardened mild steel. They make lousy files, and even worse knives. They can't be heat treated. What a waste of packaging. They have a lifetime warranty! Full replacement, you pay shipping, haha!



To harden simple carbon steel, you heat the metal to around 1,500° F, then quickly cool it within a period of time, typically measured in seconds.  This sets the crystalline structucture of the steel in an arrangement that is very rigid, hard essentially. More than just hard though, we want the steel to exhibit a fine gain structure, and the grain size is affected by the heat at which we quench the steel at. Higher heat makes for a large grain size. Large grain size is brittle, and won't produce a sharp, durable edge.


To determine the optimal quenching temperature for a given steel, I need to experiment. That means breaking stuff.




So, I've got lots of little pieces steel to practice welding with. What I have been doing is seeing if I can stick these different types of metal together. Some combinations just naturally adhere well. The O-F steel forge welds to mild steel very well. Mild steel to mild steel is giving me some difficulty. Spring steel to spring steel is tough, too.

Anyways, I'm not trying to actual MAKE anything, I'm just sticking stuff together randomly, fold and stick, fold and stick. Insert random scrap of metal, fold it again and weld it. Cut and polish the sample to check the quality of the welds. For me, the key to proficiency is experimentation and familiarity, so I am doing lots of welds, but not trying to make things nice..... so don't judge to harshly, haha!




I found a use for the non-hardening file steel. Bend the metal lengthwise into a U-shape, then weld a small piece of REAL steel into the void. A san-mai marking knife..... My first laminated blade!


You know how it is when you just slap something together and it's total crap, but it's too nice to throw away? I etched the blade with ferric chloride to darken the high carbon steel. The division looks like a differentially hardened hamon (like a samurai sword), but it's actual the lamination boundary. Pretty cool.

I also made a chisel shaped object. Now I can test my heat treatment, and gauge edge durability. Edge tool abuse! The chunk of wood is an old piece of Red Oak.


I've never hammered a knife into a chunk of wood before, but this little blade is remarkably durable. It's probably a good thing that I am a total novice, using junk steel and iron age technology. This leaves a lot of latitude for luck. I didn't take any real precautions to refine the steel (normalize) before hardening, and just applied a thin clay wash to the blade before performing a water quench.

I am pleasantly surprised, amazed really, at how well these blades are performing. The edges are as sharp as any of my Japanese chisels, yet are easy to sharpen. I think that this particular file steel is comparable to the basic Yasuki white steel (1.20-1.30% carbon) used for most Japanese chisels. These turned out harder, and take a better edge than many of my real Japanese chisels, so I am cautiously optimistic. I would take more care if I was trying to actually make something. This was just experimenting.


This little chisel shaped object made for some interesting tests of durability. I slapped the file steel into place, but then bumped it before setting it permanently, so the cutting edge is only 75% hard steel. Sloppy, but interesting.



I took no care, hammered straight down into the oak, as though cutting a mortice. Many times. I pried the waste with less caution that I would use with a real tool.

The back side is REALLY ugly. The vertical black line (that looks like a crack) is the lamination boundary. The blunt part on the left is the mild (unhardened) part of the edge.


The steel held up very well (better than expected) but the unhardened part just folded, as it should. The cutting edge isn't magic, it didn't shave the steel from my anvils edge. I tried, but the edge chipped a tiny bit, then was easily resharpened. It didn't make for a good photo.



I hammered the faux chisel into a section of mild steel rod.


Penetration 1/16", 5 hammer blows. I've never done that to a chisel before. Well, not intentionally, that is....



You can see the faintest evidence, right in the center, but it's mostly due to the iron rod burnishing the darkly colored (oxidized) steel cutting edge.


I expected the edge to shatter or, at the least, to crumple or chip. No damage, and still shaving sharp.


Not too bad for an old file.













Friday, August 1, 2014

Charcoal for the forge


Three blind men describe an elephant......


I am a rank amateur blacksmith, so take this for what it's worth (</= ∅, haha!). While there is loads of information on making bio-char for cooking and ag related applications, the volume of work pertaining to making blacksmithing charcoal is much less. Very little, in fact.

Charcoal is the original fuel for forge work, but was superseded long ago by mineral coal. Per given volume, coal has 5-10x the heat value as wood charcoal,  so a little bit goes a long way, and it's relatively cheap, once you find it.



A digression.......

I have always been fascinated by the potential of blacksmithing. Fire, Water, Earth, Air, and Spirit, the elemental five. Forging is directed change, transformative and primal. Forging is magic.

The Art of the blacksmith is taking common materials and reshaping them into a new and (hopefully) more useful form. Heat causes a partial phase change in the iron, making it more malleable. Saturating the iron with carbon and then cooling it quickly will result it steel, an iron crystal of sorts. The "fineness" of the crystal determines the degree of sharpness attainable, and ....by now you can see where I am going with this.

I have no illusions that I will be able to make a better to tool than what is already available. To the contrary, if I can make a tool comparable to even a lower quality Japanese chisel, I will consider it a great triumph! What I HAVE found, is that by making my own tools, I have a much greater appreciation of the TRULY good stuff. The trained eye sees differently.

Where was I going with this? I always wanted to do some smithing, but I kept getting hung up on the requirements. I wanted a forge, but didn't have the money for a rusty old riveting forge,  much less a decent propane setup. Heck, I didn't even know that you could USE propane! You can build a great coal forge, but the fire-pot and tuyere  are expensive and you can't forge without a proper fire-pot (I thought). And then there was the problem of sourcing the proper blacksmithing coal/hammer/tongs..... The list goes on.

Learning about Japanese tools, and how they are made, brought me back to the possibilities of forging. I learned that (some) blacksmiths still use a charcoal fired forge, just a glorified hole in the ground. Here was something that I could start with, at least.

You can build a usable forge out of a stack ordinary bricks from your yard. You can make a blower from a hair dryer. You can fuel your forge using plain old firewood charcoal and it will get hot enough to forge-weld iron...you can even just burn straight wood! A big chunk of steel from the scrapyard makes a good anvil. WHY DIDN'T I KNOW THIS 30 YEARS AGO! Optimal? Probably not. Workable? Absolutely!

When I was young(er) and exceedingly poor, I reeeeeaaly wanted some wood carving tools, but......you know. It turns out that all I needed was a ball-pein hammer, a railroad spike (anvil), a stump (for the anvil), bricks, wood, and a hair dryer. An old coil spring (from a cars suspension) will provide enough carbon steel for a whole set of tools. I had all of this stuff! My startup cost would've been $0!


OK, back to charcoal......




Making blacksmithing charcoal is, while not hard exactly, definitely a refined process. I had no idea that there was so much to know about charcoal! Charcoal is that stuff we use to grill steaks, right? Wrong (well, kinda right). Charcoal briquettes are made from charcoal that has been ground up and combined with additives and fillers to make a product that burns at an even, controlled rate. This is great for your average weekend BBQ, but terrible for forging.

Lump hardwood charcoal is available in the BBQ aisle at the store.

Hardwood lump charcoal


I found that it works fine for general hot work, but burns slow (so not very hot), leaves a fair amount of ash, and throws LOTS of sparks. Sparks hurt and make it hard to see and hear what's happening to the metal inside the forge. Hardwood lump charcoal is made from the lumbering offcuts and other less desirable pieces, so the chunks tend to be large knots and other twisty grain stuff. For blacksmithing use, you want a consistent fuel size, so those big chunks need to be chopped up into smaller pieces. By the time I had broken the big stuff down to a good usable size, I was often left with 3-4 largish pieces and a whole handful of small fines. Hardwood lump does work, though! Use what you got!

Softwood pine/spruce/fir charcoal burns hot and fast. Reaching welding temperature is no problem in my small stacked-brick side-draft forge, using a small 50 CFM bathroom fan as a blower.


Cheap and ugly, but it works. The small $15 fan is adequate, and much quieter than a hair drier. I choke back the air to 50% for general hot work.

Charcoal doesn't need much air, meaning that as a beginning smith, I am less likely to overheat (burn) steel  accidentally. Less air means less oxidation and less decarburization at the forged edges of the workpiece. It does burn fast, though. I find that softwood charcoal is MUCH nicer to use, problem is, you have to make your own.



Bad charcoal is easy to make. I've got LOTS of this!


The "bad" charcoal is soft, and looks and feels a bit like old white Styrofoam. It is fragile, dusty, dirty, and burns quickly. Soft charcoal sounds dull when it rattles around in the bucket. 90% of the information out there seems to be on how to make this stuff. 


That's because:
  1. It's easy. 
  2. We don't know any better. Most of us have never seen, much less used good charcoal before. I know I hadn't!
Grab a barrel. Punch some holes around the bottom. Start a fire in the bottom of the barrel, then add wood until the barrel is full and everything is burning well. Cover the top (and any holes) to starve the fire of oxygen, then check your results the next day. I get 1/3 ash, 1/3 overcooked, and 1/3 undercooked. YRMV.

I have also tried packing in the wood, then starting the fire at the top. When the fire reaches the bottom, seal it up, then check the next day. My results were about the same as before. 1/3, 1/3, and 1/3.

The small pieces of soft charcoal are very light and bounce around in the forge, yet feel sticky and resist the metal when you push a length of iron onto the coal bed. The heat from this stuff feels more diffuse to me, softer, and is evidently good for tempering and other operations that call for a gentle heat. In the hand, this stuff is like grabbing a handful of packaging peanuts, and sets my teeth on edge.



You can make smaller amounts of charcoal using the "retort" method.


Fill a lidded metal container with wood, seal the top, and punch a few holes small enough to let some gases out without allowing too much oxygen in. Throw the whole thing in a bonfire and as the wood inside heats, those little holes will be shooting out plumes of gasses. Initially the gas is mostly water vapor, but as the temperature rises the remaining volatile gasses will actual flare off, like the stack at an oil refinery. Let it burn until fire stops shooting out of the holes, then remove the bucket from the heat source, open it when it cools off.

This works, but it's still awfully easy to overcook the charcoal, mostly due to the tendency of the process to self-fuel. Lots of people use a 1 gallon paint can. Mine is a 5 gallon container (and about worn out).



Again, this soft charcoal will work fine, but you can do better. 

Lately, this is what I've been making.....


Crisp, tight, splits cleanly but makes VERY few fines. It makes a bright "tinkle-y" sound in the bucket, burns more slowly, and leaves almost no ash. It has a shiny, silver cast and burns with almost no scent. It's not perfect, and a bit overcooked still (I suspect), but it's a step in the right direction.

The soft stuff is on the left. The better stuff is on the right.


Soft and crumbly vs tight and tinkly.


Small cross sections of (free!) lumber scrap tend to carbonize quickly, more evenly, and are very easy to chop into small forge size bits. The small pieces maximize end grain exposure, losing moisture more evenly than longer pieces.


These were originally old stickers (from the lumber yard), used to separate stacks of lumber. Not particularly dry, but well aged and actually air-dry, not kiln-dry. The A/D seems to make nicer charcoal....... More volatiles, perhaps?


I take the same 5 gallon retort and pack it tightly with small precut wood chunks.




This is my charcoal yard. In the middle is the retort full of scraps, waiting for the lid to be clamped down and sealed.


On the left is a section of an old 30 gallon (actually the rusty remains of an old 55 gallon, reshaped) burn barrel, sunk into the ground, with a blue metal tube (chimney) to induce a draft. To the right is the fuel used to actual cook the charcoal. I'll actually only use about half of this small pile.


The outlet to the chimney, at the bottom of the burn barrel. The chimney induces a draft that results in a hotter, cleaner fire.


The two bricks elevate the retort, so that all surfaces are exposed to the heat.

The key element was to bury the burn chamber! The sandy soil insulates the burn barrel, both elevating the overall burn temperature and also regulating the heat produced. I tried the same setup, minus the burying part, but only got the usual overcooked charcoal.


Two chunks of wood on the bottom, then 8 or so pieces loosely stacked around the perimeter, finished by a small pile on top. It doesn't require much. This happens to be the demoed remains of our cedar deck, soft, half rotten stuff that nonetheless burns very quickly. This would be a great use for dried landscaping trimmings and hedge prunings.



Even with the chimney enhanced draft, there is still smoke, unfortunately. Smokeless charcoal is my grail.



Once the fire reaches temp, it will burn clean, with no smoke.


You can't see it in the photo, but the whole lower interior of the barrel is glowing red hot. The retort is jetting flame like a rocket, even sending flame up the chimney.



Once the retort stops jetting flame, I remove it  from the barrel, then pile a bit of dirt around the base, to seal off the oxygen. Two hours later (when cool), I check inside.


This batch turned out a touch overdone, maybe 1/2 and 1/2? I should've taken it out a bit sooner. I have been basing the removal time on how much the bucket weighs, but basically just guessing. The weight will be reduced by 1/2 or more.


The volume undergoes a reduction of around 25%.





It splits so nicely! I am shooting for around 2cm³.


This charcoal packs evenly in the forge, so the metal is easy to maneuver, and it burns cleanly, with a vary intense heat. Forge welding is getting easier (well....).



Not only does this stuff burn hot, it also seems to burn a tad longer (but still fast), and makes almost zero ash. In Japan they sell charcoal, to use for cooking on small grills, and for space heating in small ceramic pots. The preferred charcoal is called "white" charcoal, as opposed to "black" charcoal.

Often made from oak, white charcoal is hard, dense, and burns cleanly with little odor. It is a premium product.

White charcoal ceramic heater


Sometimes the "white" charcoal isn't actually white.....

You can buy this from Yahoo JP, 5 lbs for $20, shipping is extra though


....but often it is.

"White" white charcoal for sale (from China).

The process for making the two charcoals differs. White charcoal is made in large kilns, fired over multiple days.



When things are good and hot, the burning charcoal is raked out of the kiln....

From http://tainainousei.blog66.fc2.com/blog-date-200712.html


.....then buried in a clay/ash mixture to extinguish it quickly.

From http://7rinhonpo.jp/archives/25718203.html

This is what makes the "white" charcoal white.



Black charcoal is softer than "White", not as clean burning, but has higher heat potential. It is produced through applying indirect heat in an absence of oxygen. The lack of direct combustion allows the charcoal to retain much of its volatile elements. It's a balancing act.

A popular means of making the black charcoal in relatively small batches is in an Iwasaki style barrel kiln.


You load the wood into the hopper (shown open in this pic), seal it up, and start a fire in the burn chamber to the right. As shown, this will make soft black charcoal, suitable for ag use/soil amendment. Bury the whole unit in insulating soil, however, and it will produce hard black ("white") charcoal suitable for blacksmithing. That's what I want! This system is currently being used by a very skilled blacksmith on Vancouver island, Dave Friesen of Crossed Heart Forge.



My small-scale charcoal yard has lots of room for improvement, but for the small stuff that I have been working on, it has been adequate. Unfortunately, the components are about worn out, so it's time to put the thinking cap back on.

As far as the good stuff is concerned, I'm not there yet, but this is what I'm doing today......